Thursday, July 7, 2022
Mail art Wave!
Sunday, January 9, 2022
Twas the Season
Wednesday, December 15, 2021
backlog blog
I am posting this image so those of you who sent me mail will know I have received it and am waiting to open it, to spend some quality time with it and hopefully be inspired to reply fulsomely! The thing is, my mum is visiting from America from Saturday and I have some work to do to get this place ship-shape before she arrives so even though I WANT to open your mailart I am holding off until I can do it justice. My mum hasn't been to England in two Covid years.
Stay tuned. Once she arrives I should have some more time. AND thank you. Cascadia Artpost, David Stafford, Mailart Martha, Amalgamated Confusion, Mikel Untzilla, Herman Kamphuis, Sticker Dude, Tofu, (I'm wearing a mask) and The Sticker Dude!
Friday, September 24, 2021
A Wish of Good Health in a Fragile time
Sunday, November 15, 2020
O - Mail Art - Mikel Untzi
O, Oh, I love this A6 sized mail art collage from Mikel Untzilla. I like the colour, the variety of marks, the way it works no matter which direction you turn it. It's satisfying vispo & concrete poetry for me.
Mikel reflects the stamp on the envelope in his collage, in the colour, in the movement. I always wonder which came first.It arrived in it's inner envelope as I have scanned it above. It is like a present...
It is a present. It feels Japanese, it is an offering. Beautiful work . Thank you.
Thursday, June 18, 2020
2020 Mail Art Network
Mikel Untzilla's mail art is arte correo to me… As I looked at his address, I realised I didn't know where Euskadi was. I had thought Mikel sent from Spain, his work has a latino vibe which I like. I google and discover it is Basque country.
Friday, February 14, 2020
a calendar of stamps for the future
I heard some disparaging comments about mailart a few weeks ago. It was something like 'the audacity of using mail art to protest about climate change!' Mail art is a game. Mil art is deadly serious. Stamps are canvases, miniatures, graphic perfection, a tile of protest or enthusiasm. Here Mikel uses his 'stamps' as abstractions, telling the reader something, but also illegible. Asemic? Game over 2050? I hope not.


































